Khrux

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As much as I don’t disagree, I think the “Apple is closest to Nazism” comment touches on something different. Other massive American companies have awful practices but they don’t care particularly how their way of making money looks. Apple wields a specific aesthetic power that generally dictates a hegemonic uniformity, that strays the line of being to their detriment at times. I don’t think any other big tech company would care in the same way if not for their desire to copy Apple.

I’d love to see US bases go, but I’m not convinced a lack of trust in America would be the tipping point when they haven’t behaved in a trustworthy way ever really. America would find some way to make any country that rejected a US military presence experience difficulty, be that via tariffs or vague threats about their military absence.

It’s interesting how Discord absolutely nukes its own trust by pretending to be more than it is. I loathe discord, to the point I’d use a competitor (not teams) just to evade it. I’m sick of finding a hobby group using it as a Frankenstein forum / chat / info hub when it’s only built for chat.

Discord is fine for this use, but I’m getting used to the distrusting it so often that it blends into reasonable use.

That’s still incredibly low, I’d have assumed an enormous increase.

Funnily enough, when I do ask an LLM to rephrase anything I write, it changes any sentence with a semicolon to one with an em dash. I’ve probably always overused the semicolon because of its availability on a keyboard, but it appears a lot in my normal work.

Now I trust the semicolon, it’s an identifier of me.

Blurry photos is fine to make an stylistic choice. The 2019 movie The Lighthouse stylistically looked like a 1920s film, before modern music intentionally used bitcrushing, it used vinyl cracks, boomer shooters made in this decade intentionally look like 1990s Doom clones.

When a medium’s shortcoming is patched by technology, it ultimately becomes an artifact of the era where it was accidental. Once a few years have passed, it becomes more synonymous with the era than the mistake.

It’s not necessarily nostalgia, Gen Alpha and the younger half of Gen Z never grew up without smartphones, so they don’t miss the era of poor film photography. Although every generation does this simulation of forgotten mistakes, it’s particularly poignant now, where the high quality, perfectly lit, professional feeling photos convey something artificial, i.e. smartphone software emulating camera hardware, faces tuned with filters or outright AI generated content. Even if it’s false imperfection, the alternative is false perfection.

Art using deliberate imperfections that were unavoidable in the past is romanticising something perceived as before commercialism, and that’s admirable.

People disagree because it’s still an abstraction of camo. Wearing it in the first place came from people fawning over militarism.

I actually think it can work with a queer look in one of two ways, so you are likely fine: Either it’s effectively teasing the pro authoritarian militarism camo types, or it’s a radical anarchy armed rebel look, which without praxis is really just the former look again. Either way these are fine.

Another reason maybe you’ve been downvoted is that people loathe the deep abstraction of modern, or rather postmoderm society. Camo was made for soldiers > Camo was worn by patriotic civilians simulating the soldier aesthetic > particularly under the Bush administration, it became less a symbol of soldiers, and more a symbol of patriots. Patriotism is nationalism.

Today when most of us camo in the military cosplaying way, we think ‘nationalist’. When we see a person in a little bit of camo, perhaps just some came shorts and a regular t-shirt, we think either ‘nationalist’, ‘okay with nationalism’ or ‘ignorant of nationalism’.

So when most people see someone in a blended queer and camo look, they probably assume one of three things: ‘ignorant of nationalism’, ‘critical of nationalism in a rebellious manner’ or ‘pro nationalist queer’. Of course one of these is fine, but one is very bad.

This isn’t really the gen Z stare, I’d describe that as a very neutral expression.

Honestly I don’t actually think the Gen Z stare has much to do with the internet or COVID either, as much as it’s just something that caught on among people in school. I think another large element is that Gen Z culturally a lot less judgemental of people who don’t mask autistic traits.

The general nodding and 'mmhmm’ing we do to affirm we’re paying attention is something that’s effectively a social contract, although useful. The flip side of the Gen Z stare that people don’t talk about is that Gen Z also don’t mind recieving the Gen Z stare, and can converse through it.

I think it’s just a silly reading, pretending point 4 is madness over point 3.

The pentagon knew Israel was about to attack, they said so themselves, but denied any support or involvement. This seems to a valid reason for the pizza party, just to track, observe and be ready for any unexpected counter response.

I am in the camp where I believe the USA hasn’t actively been involved yet but fully intend to be in the coming days. We have a seen Israel do anything they weren’t already capable of, and the massive shift of US jets, missiles and an aircraft carrier to the middle east has largely happened after the initial attack.

This guy pops up everywhere online with screenshots of his silly tweets, and every time I think it’s Edward Snowden.

It takes me to the end of tweet to realise that’s a crazy post for him, and go back and read his name properly.

In my own opinion, it’s Disney good.

Early Simpsons was slightly edgy, not in a shock factor way, but in a way where it could explore mature themes without any tonal whiplash, while still being entertaining for kids and adults.

As Fox deteriorated, so did the Simpsons, presumably from bad producing and low funding. Pretty much as soon as the Disney acquisition happened, quality began to climb again, and people have been saying it’s good for a few years.

But I can’t shake the feeling that the real feeling isn’t that it’s good, just that it isn’t bad anymore. It’s as inoffensive and bland as many Disney IPs, but doesn’t carry the true badness of Fox. I don’t trust that Disney is able to give it the ingredients for it to be great again.

Their success came from it being specifically longer. It’s much harder to visualise a bigger surface area, like how a 10 inch pizza is bigger than two 7 inch pizzas. Subway on the other hand only stretches it in one axis, so the number goes up faster.

I don’t want long burgers, although I don’t know why. Big fan of the circle.

Weirdly I’m always unfairly judgemental when I see someone in very I door wear in public. Unless it’s somewhere lawless like an airport, pajamas or super comfort sports wear in public always irks me. But on the other hand, it literally makes more sense to be as comfortable as possible and for some pointless reason, I feel very beholden to the fashion standards that make it feel weird.

Oops, you’re right. It is copying something of its time because it’s all my dad would tell me when watching it growing up, but I can’t remember which film.

In time is absolutely an idea that I wish would get revisited for a TV show.

When I was a kid, for some reason, I loved the original West World movie, which is about 20% high concept and 80% “how do we copy terminator when all we have are a bunch of random Wild West, medieval and classical back lots?”

Obviously a few years ago HBO picked it up for a show, and that first season explores some of the richest philosophy I’ve seen on TV, in the way only Sci-Fi can; by building characters and technology directly around their philosophical takes and stress testing them. Also simultaneously it created an incredibly compelling story and characters. All of this stemmed from the idea “what if there was a wild west theme park manned by perfectly realistic animatronics?”

In Time may not have the cult classic reputation of the first Westworld but it’s got appeal and charm, while being basically only interesting in it’s high concept, and therefore perfect to pull apart and explore an HBO style branching plot. I bet you could get Justin Timberlake to appear in it again too, for added audience appeal. A show like this can also explore multiple characters in different classes, and those who interact with both. It’s just wasn’t that suited to a movie.

Just to ask, nobody understood the full picture of what they were making? Or was there someone who created the concept but intentional obfuscated it from everyone else via bureaucracy?

Also worth addressing that people are using large language models exactly because the ad driven web was enshitified enough that people clambered for this new option.

There will be at least one LLM that’s good for web searching and doesn’t give in to advertising, and in the meantime, we’ll just need to keep jumping ship whenever one becomes awful, as we did with the old web.

I have a surprisingly forgiving opinion on AI. There are many cases that I think it’s purpose is stupid or defeats the point but it has the potential to cause such a large break to employability and capitalism in general that it has it’s upsides.

People are right to take issue with the fact that it is causing people to lose their jobs or be unemployable by no fault of their own, but underlying that issue is the fact that society shouldn’t function on the employment being necessary (which I am aware is an opinion).

Even in its absurd energy and water usage, this is largely an issue with how we currently get our energy and water. Having our technocrats suddenly more invested in new and better forms of energy, even just for powering AI has the potential to be a path to better clean energy options.

AI is fundamentally a neutral tool, but as much as it may be sued for evil, it may accelerate flawed economic and environmental systems to a breaking point where a redesign of those structures will be required, which could be the greatest opportunity to implement better structures that we’ve had since the industrial revolution.