Nailed it

Fill it up with lube first then have it snot that out in mucus-y rivulets

“United Kingdom” ? Yeah good map if this was 1915.

Yeah wearing hats indoors should not be allowed.

Any good?

Yeah but what about your gimp?

More space means less braking, reducing bunching up. Check this article on traffic waves out

How much?

Just the shots of balls swinging

Otters have been shooting kids

Hannibal Lector

Haha Irish people are all drunk is the joke here

Husband’s bad

Maybe it’s because all the drama causing cats and dogs have been eaten?

• “Hanyo” (dir. Kim Ki-young, 1960),
• “Rocco and His Brothers” (dir. Luchino Visconti, 1960),
• “Psycho” (dir. Alfred Hitchcock, 1960),
• “Vengeance Is Mine” (dir. Shohei Imamura, 1979),
• “Raging Bull” (dir. Martin Scorsese, 1980),
• “A City of Sadness” (dir. Hou Hsiao-hsien, 1989),
• “Happy as Lazzaro” (dir. Alice Rohrwacher, 2018),
• “Mad Max: Fury Road” (dir. George Miller, 2015),
• “Zodiac” (dir. David Fincher, 2007),
• “Cure” (dir. Kiyoshi Kurosawa, 1997),
• “Do The Right Thing” (dir. Spike Lee, 1989),
• “Pulp Fiction” (dir. Quentin Tarantino, 1994),
• “Asako I & II” (dir. Ryusuke Hamaguchi, 2018),
• “Aguirre: The Wrath Of God” (dir. Werner Herzog, 1972),
• “The 400 Blows” (dir. Francois Truffaut, 1959),
• “The Ballad of Narayama” (dir. Keisuke Kinoshita, 1958),
• “Being John Malkovich” (dir. Spike Jonze, 1999),
• “Fanny and Alexander” (dir. Ingmar Bergman, 1982),
• “Deliverance” (dir. John Boorman, 1972),
• “Fargo” (dirs. Joel and Ethan Coen, 1996),
• “The Great Escape” (dir. John Sturges, 1963),
• “The Housemaid” (dir. Kim Ki-young, 1960),
• “Intensions of Murder” (dir. Shohei Imamura, 1964),
• “Io Island” (dir. Kim Ki-young, 1997),
• “Life Is Sweet” (dir. Mike Leigh, 1992),
• “Lola Montes” (dir. Max Ophlus, 1955),
• “The Man Who Fell to Earth” (dir. Nicolas Roeg, 1976),
• “Midsommar” (dir. Ari Aster, 2019),
• “Hereditary” (dir. Ari Aster, 2018),
• “Nashville” (dir. Robert Altman, 1975),
• “Rushmore” (dir. Wes Anderson, 1998),
• “Seconds” (dir. John Frankenheimer, 1966),
• “The Thing” (dir. John Carpenter, 1982),
• “Things to Come” (dir. William Cameron Menzies, 1936),
• “Touch of Evil” (dir. Orson Welles, 1958),
• “Uncut Gems” (dirs. Josh and Benny Safdie, 2019),
• “The Wages of Fear” (dir. Henri-Georges Clouzot, 1953),
• “Flee” (dir. Jonas Poher Rasmussen, 2021),
• “Wendy and Lucy” (dir. Kelly Reichardt, 2008),
• “Drive My Car” (dir. Ryûsuke Hamaguchi, 2021),
• “Don’t Look Up” (dir. Adam McKay, 2021),
• “Sorry We Missed You” (dir. Ken Loach, 2019),
• “Happening” (dir. Audrey Diwan, 2021),
• “The Mitchells vs. The Machines” (dir. Mike Rianda, 2021),
• “Sundown” (dir. Michel Franco, 2021),
• “Happy Hour” (dir. Ryûsuke Hamaguchi, 2015),n
• “Sewing Sisters” (dirs. Jung-young Kim and Lee Hyuk-rae, 2020).

“Hanyo” (dir. Kim Ki-young, 1960), “Rocco and His Brothers” (dir. Luchino Visconti, 1960), “Psycho” (dir. Alfred Hitchcock, 1960), “Vengeance Is Mine” (dir. Shohei Imamura, 1979), “Raging Bull” (dir. Martin Scorsese, 1980), “A City of Sadness” (dir. Hou Hsiao-hsien, 1989), “Happy as Lazzaro” (dir. Alice Rohrwacher, 2018), “Mad Max: Fury Road” (dir. George Miller, 2015), “Zodiac” (dir. David Fincher, 2007), “Cure” (dir. Kiyoshi Kurosawa, 1997), “Do The Right Thing” (dir. Spike Lee, 1989), “Pulp Fiction” (dir. Quentin Tarantino, 1994), “Asako I & II” (dir. Ryusuke Hamaguchi, 2018), “Aguirre: The Wrath Of God” (dir. Werner Herzog, 1972), “The 400 Blows” (dir. Francois Truffaut, 1959), “The Ballad of Narayama” (dir. Keisuke Kinoshita, 1958), “Being John Malkovich” (dir. Spike Jonze, 1999), “Fanny and Alexander” (dir. Ingmar Bergman, 1982), “Deliverance” (dir. John Boorman, 1972), “Fargo” (dirs. Joel and Ethan Coen, 1996), “The Great Escape” (dir. John Sturges, 1963), “The Housemaid” (dir. Kim Ki-young, 1960), “Intensions of Murder” (dir. Shohei Imamura, 1964), “Io Island” (dir. Kim Ki-young, 1997), “Life Is Sweet” (dir. Mike Leigh, 1992), “Lola Montes” (dir. Max Ophlus, 1955), “The Man Who Fell to Earth” (dir. Nicolas Roeg, 1976), “Midsommar” (dir. Ari Aster, 2019), “Hereditary” (dir. Ari Aster, 2018), “Nashville” (dir. Robert Altman, 1975), “Rushmore” (dir. Wes Anderson, 1998), “Seconds” (dir. John Frankenheimer, 1966), “The Thing” (dir. John Carpenter, 1982), “Things to Come” (dir. William Cameron Menzies, 1936), “Touch of Evil” (dir. Orson Welles, 1958), “Uncut Gems” (dirs. Josh and Benny Safdie, 2019), “The Wages of Fear” (dir. Henri-Georges Clouzot, 1953), “Flee” (dir. Jonas Poher Rasmussen, 2021), “Wendy and Lucy” (dir. Kelly Reichardt, 2008), “Drive My Car” (dir. Ryûsuke Hamaguchi, 2021), “Don’t Look Up” (dir. Adam McKay, 2021), “Sorry We Missed You” (dir. Ken Loach, 2019), “Happening” (dir. Audrey Diwan, 2021), “The Mitchells vs. The Machines” (dir. Mike Rianda, 2021), “Sundown” (dir. Michel Franco, 2021), “Happy Hour” (dir. Ryûsuke Hamaguchi, 2015),n “Sewing Sisters” (dirs. Jung-young Kim and Lee Hyuk-rae, 2020).

Why’s he got a boner though?

Yes man, Czech Czech on those one/two things

They can never laugh it off, that’s all they need to do, but they don’t have the capacity to laugh at themselves.

Wait what happened to you in the back seat of the blazer?