Glory to you… abd your hoooouse!

And I only learned about him in the first place because of Watchmen.

Ys 5? No such thing! Hoax!

Hmmm. Maybe I’ll give it another go. I only got about two or three hours in before I moved onto other items in the backlog.

Origins. Bayek is easily the most relatable and grounded character, and the story does a great job of setting up the origins of the Assassins. My only gripe is that Aya really needed more development and a game of her own.

Its odd, because I played the crap out of VIII, but hardly got into Monstrum Nox and am not even sure if I’m getting Nordics when it comes out on Switch. I probably will, but I feel like the series peaked with Dana.

I really like the Switch version, but I really got into the series playing this and Memories of Celceta. I kinda wish I still had the Vita, as I’m pretty sure it’s the only system with every game from 1-8 on it.

Heard that in Buzzcut’s voice. Peak memery!

Nice!

As an autist, I find this assertion nonsensical and offensively reductive.

Mostly for the convenience of having all of the games on one platform?

Megaman Legends 3.

Especially Blue Stilton. By far my favorite cheese!

Uh oh. They smell like blue cheese? That means they smell delicious!

I legitimately believe the best game in the series was Origins, with Bayek. He had the most relatable character with the most relatable story in the series. More importantly, Origins was an eye-opening experience for me. I resisted playing it initially because I firmly believed playing as a black man would ruin the experience for me. It turned out to be my favorite game, and Bayek my favorite character, and it really made me closely examine my prejudices. Dumb as it may be, playing as and connecting with Bayek made me a better person.

It’s a magic carpet.

Sorry about that transporter malfunction.

Pathological monsters!

Susanne’s snootching to that muthafuckin nootches with Jay and Silent fucking Bob! Noise, noise, noise!

I feel like that’s the exact vibe they go for with these. It feels so authentic, too. VGH clearly has a love of both video game history, and that particular era of documentary programming.