They seemed to have lived beside the sea in a colorful hut decorated with an assortment of shells hoisted on spools of long rotten string. Many of these shells were not native to the area, with their foreign number totaling approximately twice the number of years that the hut stood. The center of their home held a small cooking pot coated with the remnants of floral oils and native psychedelics.

Their art and writings were discovered further inland beneath the stump of a contemporaneously planted tree, preserved within a wooden box encased in tar. The box itself held a visual record of their time together, the intricate tapestry etched into its every surface appeared to have been carved over many years, with its detail increasing until the most recent set, which appeared markedly cruder, depicting a single figure in mourning attire.

Due to their decorations and their poetry’s frequent mentions of eating each other’s “steaming hot clam”, we believe they chose to live with one another beside the sea to satisfy their mutual love of shellfish.