eh, i think in photography you actually learn better habits and skills on older, more limited gear. it’s easy to nail exposure when your camera can handle work at 3,000 iso, but then when you’re at the edge of what your camera is capable of you’ll be less able to tease out the performance you need. it’s why i will keep my old canon rebel t2i. whenever someone wants to learn a little i toss them that thing. it can still take great pictures , you just have to work within its limitations. it’s why my broadcast school made me learn to do reel to reel tape editing. when you know how much tape you have and how much of a pain it is to edit you will be way way better about getting your shot right the first time and every time.
these days, instead of using these tools as a crutch to shoot sloppier knowing that the gear can handle it now, i use them as a booster to do when more than i would have been able to before. i still shoot at the minimum viable iso every time on my a7siii, the difference is now i can keep shooting until the stars are plainly visible without needing a tripod.
ironically, this doesn’t seem to hold quite as true for video now that i think about it. video is so tech and tool based. often it’s newer guys that embrace the new tech and techniques that the old heads snub their noses at that end up doing the best. maybe not in Hollywood, but Hollywood is a totally different animal from what 99% of videographers do. I’m talking about video outside of Hollywood. often these newer tools will be lower quality less professional tools for quick turnaround. the kind of thing that corporate America is all about these days. quantity over quality is the name of the game in today’s video world more often than not.
a video camera from 15 years ago is likely almost useless today for any real work, a stills camera from 25 years ago could be used to make a billboard ad right now.
eh, i think in photography you actually learn better habits and skills on older, more limited gear. it’s easy to nail exposure when your camera can handle work at 3,000 iso, but then when you’re at the edge of what your camera is capable of you’ll be less able to tease out the performance you need. it’s why i will keep my old canon rebel t2i. whenever someone wants to learn a little i toss them that thing. it can still take great pictures , you just have to work within its limitations. it’s why my broadcast school made me learn to do reel to reel tape editing. when you know how much tape you have and how much of a pain it is to edit you will be way way better about getting your shot right the first time and every time.
these days, instead of using these tools as a crutch to shoot sloppier knowing that the gear can handle it now, i use them as a booster to do when more than i would have been able to before. i still shoot at the minimum viable iso every time on my a7siii, the difference is now i can keep shooting until the stars are plainly visible without needing a tripod.
ironically, this doesn’t seem to hold quite as true for video now that i think about it. video is so tech and tool based. often it’s newer guys that embrace the new tech and techniques that the old heads snub their noses at that end up doing the best. maybe not in Hollywood, but Hollywood is a totally different animal from what 99% of videographers do. I’m talking about video outside of Hollywood. often these newer tools will be lower quality less professional tools for quick turnaround. the kind of thing that corporate America is all about these days. quantity over quality is the name of the game in today’s video world more often than not.
a video camera from 15 years ago is likely almost useless today for any real work, a stills camera from 25 years ago could be used to make a billboard ad right now.